Plummer plays Auschwitz survivor in Venice film ‘Remember’

Plummer plays Auschwitz survivor in Venice film ‘Remember’


At the behest of wheelchair-bound resident Max (Martin Landau), and as a promise to his dead wife Ruth, Zev sneaks out one night on a quest to find the concentration camp guard — and to kill him with a Glock pistol.

“It’s the last time we can tell this story in the present tense. In 10 years it would have to be a period piece,” Egoyan told Reuters in an interview, referring to the advanced age of the remaining Holocaust survivors.

“It’s very important to understand that even though we all would love to live with the cliché that time heals wounds, and that there is the possibility of rapprochement, there are a lot of people who live with rage.

“There are a lot of people who are still as angry as though it was yesterday.”

Plummer, whose most famous role was as Captain von Trapp in “The Sound of Music” (1965), was not in Venice for the premiere but told a news conference by video link that he’d been intrigued by the character of Zev, whose memory fades in and out.

In order to carry out his mission, Zev reads instructions in a letter given him by Max, who by telephone arranges everything from limousines to hotel rooms in the quest across America and in Canada to identify one of four people, all living under the same name, as the actual camp guard.

“So…I was dying to play an ordinary man, a simple, intelligent and educated man but who was very introverted, to say the least, and it was something very foreign to me but I was dying to accept the challenge.”

German actor Heinz Lieven, who plays one of the four men Zev has been tasked by Max to track down, said it was important that the film was made, to help keep the memory of the Holocaust alive and to educate younger generations.

“When Hitler came to power I was four years old and when he was at his end (I was) 17…which means I know these times, the incredible murdering,” Lieven said.

“Younger people have to learn, have to know it,” he said.

The film won mixed reviews in the trade press, with Variety praising Plummer’s performance but describing it as a “state-hopping Nazi-hunt mystery that puts a creditably sincere spin on material that is silly at best”.


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